The pink-salmon tone in the bathroom also ties in with the salmon tone on the walls in Stuart's office. But it was a different episode, about poker players getting into a fight, that inspired parts of The Shining. This area seems not to be dependent on radiant heat any longer for there isn't radiant heat in Ullman's office. The wagon driver scratches out on the ground the letters S O U but dies before finishing the name. The disconcerting music, its intermittent roars, continues. The velociraptor kitchen scene has multiple references to "The Shining." The end credits contain a reference to Spielberg's 1977 sci-fi film, "Close Encounters of the Third Kind." . They never recognize it is there by either a glance, action, or comment. The Montana mountains and the road shown in the opening, which I've discussed in that section, I think are likely chosen not just for their beauty but for Montana being known as the land of Shining Mountains. The above 2013 Creative Commons image, by the photographer J. W. Kern, shows how much Kubrick took architecturally and design-wise from the Ahwahnee. 44 - Wendy reassures the doctor that everything is fine. BILL (seated): Fine. 13 MCU of Danny. Shelley Duvall, Danny Lloyd, and Jack Nicholson star in 'The Shining' (1980). 63 MS Danny's bedroom. When the place was built in 1907 there was very little interest in winter sports and the site was chosen for its seclusion and scenic beauty. Bill Watson looks quietly, solemnly, uncomfortably on as Ullman begins to relate the story. Fig. Or he is using the Carson City film to comment on those east/west tunnels and the divide between them, which is drilled through in Carson City. Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. (5:04) The blood covers the camera and the scene goes black. Do people operate in a free will universe or a mechanical one? Later in the film her appearance normalizes. This apartment complex's exterior looks to be from the 70s and the bathroom has beautiful ceramic tile work in it that has probably not been present in any lower and lower mid tier apartment complex since the 60s. View its location taken from Google street view. Lighting a cigarette, a Virginia Slims, Wendy's hands are obviously shaking. Carson City Several times in the movie we have evidence that it seems Jack smokes, but he is never shown smoking, though Wendy is. "Wow. He was not speaking to Tony before brushing his teeth. STUART: Susie? Composedjustso. We should be aware of this at least subconsciously as we have just viewed the lobby's elevator area extends far beyond the office, having even briefly observed the hall that is behind the office, the elder man who will later examine the maze having come from that hall. His newfound sobriety is less firmly established than his wife would like it to be. I've commented on the furnishings of the apartment before, but will elaborate a little more. 81 MS Doctor from Wendy's side. As Jack approaches the lobby's reception desk, the woman in white turns. It's just the sort of thing you do a hundred times with a child y'know in the park or in the street but on this particular occasion my husband just used too much strength and he injured Danny's arm. 72 MCU Doctor. "The Shining (1977 Novel) Literary Elements". Furthermore, when Jack calls Wendy to tell her that he got the job we have a sort of Call to Adventure for the family or, in Fields terms, an inciting incident for Danny but this is not the adventure proper in a dramatic sense. Still, is Kubrick placing here a reference to Sontag's book for sake of its message, or instead for sake of its title, prompting the viewer to wonder about metaphor and illness as regarding Danny's fainting spell. These have a gematria of 42. Danny is the first to make contact with the evil forces of the hotel. Torrance." In the lobby, during his phone call, Jack had been standing beside AVIS brochures advertising "Experience a Colorado Adventure" with a building of Spanish Mission style architecture set against the mountains. People also make note that Bill Watson's pants appear to be a solid color when he enters and that they later show a pattern. The cart swerves to avoid the dog, the case falls, bursts open, the money spills out and is swept across the tarmac by the plane's propellers. Would Kubrick have us think upon Wendy and the lost boys to whom she serves as a mother figure, and Peter Pan who counts adult mothers as his enemies? There is no guest area concourse back here, instead only service halls for employees. What's the teaser candy bait? STUART (off-screen): so the elements can't get a foothold. Foreshadowing can be achieved directly or indirectly, by making explicit statements or leaving subtle clues about what will happen later in the text. Jack says it doesn't bother him. My greater concern (with a couple exceptions) is keeping an eye on what Kubrick's choices of music bring to the film in the stories suggested by their titles, and the same too with certain important symbols in the film, the stories often associated with them that are transported into the film by virtue of the use of the symbol and the mythology attached to it. The Shining (1980) is a horror-drama film directed by Stanley Kubrick, starring Jack Nicholson and Shelley Duvall. / Warner Home Video. The Nazis eyes, "shining with greed," continued to bring their wrath down upon the thousands . One may think, "Oh, it's just decoration," but sets are not accidental. Wendy isn't at all like Stephen King imagined her to be." WENDY: Hi, hon, how's it goin'? In the Tarot, the Hebrew letter "sh" or "shin", is sometimes said to belong to the Key, Judgment, which fits appropriately with the use of "Dies Irae" as the opening music. (13:39) But when one becomes fully aware it is an impossibility, the window becomes as forbiddingly out of place as the hazy glare it allows into the office, and the foliage outside the window seems almost to be as spies peering in. He has said, "Pleasure to meet you", "Fine", "What line of work are you in now", and "Well, this ought to be quite a change for ya" and now falls into silence, only observing. Hanging above the sink is a green and white dish towel that may read "Golf with the Greats". In a few minutes we will see a painting in the Boulder apartment of a horse running down a railroad track toward an oncoming train. Certainly, if one takes a look around the web at the Ahwahnee, one easily understands why Kubrick would have chosen the striking hotel in Yosemite as an influence for the lodge's interior. Everything is shot so that anyone who has ever gone in to interview for a job will feel the cool banality of the situation and the pedestrian but anxious experience of how to relate with and put your best foot forward for this new sub-group of humanity with which you've just come into contact. When Knowledge Takes Over Action: A Narrative Analysis of Three Georgian Conflict-Sensitive Films: More than Mimicry: On Puppets and Interdependency in, After Structural Film: The Conceptual films of Morgan Fisher, This Body Keeps the Score: the films of Saidin Salkic, Encounter at the Editing Table The Film Archive as a Memory of One's Own Existence, Flesh Memories: Yeo Siew Huas Expanded Cinema in, In Search of Lost Time: An Interview with Christophe Honor, About Time: Interview with Cyril Schublin, Smith, Jack: Travails of an Underground Artist, Politics, Isolation, Pandemic: The 35th Tokyo International Film Festival, The Kids Arent Alright: The 27th Busan International Film Festival, A Report on the Exhibition Threshold (works by Dirk de Bruyn, Guy Grabowsky & Mat Hughes), All the Pain and Exploitation: 66th London Film Festival, BABY, THE RAIN MUST FALL on the Claude Sautet retrospective at the 70th San Sebastian International Film Festival, For a Double-Edged Theory: Christian Metz', Othering Heights: The Queerest of the Queer in Rosa von Praunheims. So, in effect, various symbols we had first been introduced to on Danny's door are now here in the physical, in Danny's room, though also still represented symbolically. 2 - The Ahwahnee lobby, a Creative Commons image by Dave Ciskowsi. She teaches creative writing and theory and practice of the screenplay. A question presented by the movie is what isn't destiny, what isn't a foregone conclusion, and what prevents history from repeating itself? (Though King himself isn't much of a fan.) STUART: Well, that's very good time, very good. On the art. STUART: Police, well, they thought it was what the old timers used to call cabin fever, kind of claustrophobic reaction which can occur JACK: Susie, how do you do? At the same time we are taking in an elevator beyond, before which stands a man who carries a wrapped pole of sort, perhaps a fishing pole as he carries a hat that is typically used for fishing. 5 - Mastroianni as he appeared in "8 and 1/2". That pretty well clinches it for me that Kubrick, by means of Salinger's Coming Through the Rye book, was referring to The Smallest Show on Earth, and by means of it the silent film and book, Comin' Through the Rye. DANNY: My mom saying, wake up, wake up, wake up (6:07) Jack convivially wonders why. This is more than reliance on single point photography for connecting scenes. Fig. In the far background, between them, we see an older man standing behind the model of the maze, looking over it--the same man who had entered the hall by the elevators as Jack, just after glancing toward the maze, trod upon the spot where he will later kill Dick and we heard the first "sha". SUSIE: Yes, I will. So, Kubrick has cast as his heroine an actress who departs from the strict ideal and has accentuated this, for in the documentary of The Shining Shelly exhibits indeed a striking, ethereal beauty. (10:09) The Torrance's apartment in Boulder is standard fare for the era. It is through the three consonants of the name spelled out: IVD HH VV. 19 MCU of Danny. We will be looking, constantly, to see where the elevator hall fits into the labyrinth of the Overlook. -Mr. Ullman tells Jack and Wendy that the hotel is rumored to be built on an ancient Native American burial ground, and that it suffered attacks from some local Native American tribes while it was being built in the early twentieth century. More books than SparkNotes. Both photos give a sense of unease, ominous, in particular the way the one of the individual on the left, perhaps a boy, feels to be part of a story line to do with the final hedge maze scene, as if this is a first frame of Danny running to the maze, and the photo to the right is a second frame, following up the first, revealing a monstrous entity pursuing him--but these aren't photos of the final maze scene in the snow as that occurs at night and the hedge maze is also covered in snow. Shot 117. Film reviewer Tim Robey noted, It was not the commercial success Warner Bros. had been hoping for. The film cost $11 million to make and earned $9.5 million in the United States, though it did have a good life in foreign box offices. "Tony" now refers to himself in the first person. Silent Jeff reveals that there is not only one tunnel, but that a second tunnel has also been blasted and wants to check the second tunnel to see if it too is leaking. Humbert's position on the stairs reminds of Jack's pursuit of Wendy up the great staircase in the Colorado Lounge in "The Shining", Humbert climbing these stairs in "Lolita" as he gunned down Quilty. These are people who shouldn't be going up to the Overlook, but, of course, it's because these are people who shouldn't be going there that we find them on their way. The Second Interview, Shots 61 through 95 People in the Torrance's station of class would be trying to transition from a more 60s flavor of impoverished student style of decoration to one that connoted some stability, as represented in the heavy credenza and coffee table and end tables, and the matching brown sofas. The Fleur-de-lis, meaning the flower of the lily, doesn't appear in The Shining but does in a number of Kubrick's other films, and again brings in the rainbow even when no rainbow is apparent. (13:42) So, the sweets girl seems to exit the film and enter reality. Ilaria Franciotti, MA, is an independent researcher, interested in film narratology and dramaturgy and in womens studies. (8:30) 11 Crossfade from the office to Boulder exterior. The audience members are already building in their minds a plot for the hotel, and so they've every reason to assume that these characters are coming from something such as an elevator that accesses the guest areas. The floors read B L 2 3 4. In the Boulder apartment she is stretched out, lengthened with the red union suits and her eyes are made conspicuously wide, a common feature of cartoon figures. I guess Danny started talking to Tony about the time we put him in nursery school. The film version is lost, but pages from the screenplay do exist. He stands out, fitting in neither as a lodger nor as a hotel employee. Fig. It leaps out of her arms and pursues the motorized cart that carries the suitcase holding the money from Johnny's robbery of the racetrack. Jack will murder the only African-American in The Shining. Did Jack have any trouble finding them? As for the radiant heat, the fact that the hotel used a boiler was of primary importance in King's book. Are we simply seeing something that was intended to keep out competitive light during filming, or does it foreshadow Dick's death? NEXT: CLOSING DAY Flashbacks also reveal that she has seen a marriage dissolve firsthand (her parents) and fears that what happened to them is going to happen to her. An architect goes to an old country house, hoping for some work, and realizes that it is a house he has dreamed about--a dream which ends badly. And as far as my wife is concerned, I'm sure she'll be absolutely fascinated when I tell her about it. Stuart and Bill stand talking beyond. Jack's knowledge of a former caretaker murdering his family is also foreknowledge for the audience of the films coming events. The white diagonal on the red, white and blue milk carton in the background seems to help direct the eye up and toward Wendy's face, so we focus on it. Jack asks about why the closing of the road, "seems to me that the skiing". Is the desirable state one of equilibrium, such as had at the equinoxes? JACK: Well, if you're going to have some I wouldn't mind, thanks. How can I possibly exist? The lobby, with its radiators, aappears to be dependent on radiant heat. The hotel boiler explodes and the hotel is demolished, allowing Wendy, Danny, and Dean to escape. DANNY: Tony, why don't you want to go to the hotel? The Works of Ina Seidel and the Third Reich. As the guests tend to be older, it seems possible these two are also employees. Referring back to The Wizard of Oz and its over the rainbow adventure, we have at the beginning here the potential of a dream story that makes use of elements of real life and can be accepted as having actually occurred at least for the journeying dreamer. (9:08) The camera on Jack, Ullman continues his story. And then not again until the phone lines are down: Spooks? Before we continue on and out of the bedroom, to review the conversation, Danny has given in reverse order what happened in the bathroom. After a moment, we hear a voice. Jacob's dream ladder is a key component of Qabalism/Kabbalism, understood as representing the Tree of Life and its ten Sephiroth. One will note that in the lobby, at the entrance, is a design which has arrows, one pointing toward the door and one pointing away. Shot 26. It is a majestic and luxurious isolated place, with a grisly past: On the one hand, [the isolation] serves, once again ironically, as the reverse side of communication, in a film which is all about communication, albeit extrasensory (the shining); on the other hand, it makes the Overlook Hotel [] a self-sufficient microcosmos [], a symbolic and absolute space, a home and a familiar place par excellence, where the destruction of the family is carried out.6 The Overlook was built on a Native American burial ground, and Native American motifs have been absorbed in the hotel in the guise of Navajo rugs on the walls and floors. This event is subtly implied in The Shining, and it is unclear whether it happens or not. He is endearing to children because he is voiceless and seems to represent their situation in the adult world and its sensibilities that are beyond a child's comprehension. The furnishings and the dining room and living room are spot on. The embellishments employed by Kubrick are in many places not the same as at the Ahwahnee, such as at the tops of these columns.
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